A history of how modern states turn biology into an instrument of power, told through Africa and the former Eastern Bloc.
Nine chapters, two continents, one pattern: a political choice dressed up as nature.
In the summer of 1884, nine thousand Victorians paid threepence each to have their bodies measured by Francis Galton, the man who had just coined the word eugenics. They thought it a novelty. Within a lifetime the idea they had queued for, that human beings are biological facts to be read and improved by the state, would be sterilising the poor in Virginia, boxing up skulls on the Namibian coast, and drawing the maps of genocide.
Bodies of the State follows that idea across a century and two continents. It moves from Carrie Buck's operating table to the concentration camps of German South-West Africa; from the Soviet Union's secret anthrax factories to apartheid's poison laboratories; through the engineered famines of Ukraine, Biafra, Bengal and Ethiopia; into the inspected wombs of Ceaușescu's Romania and the sterilisation wards of Czechoslovakia, South Africa, India and Peru; through the sealed slums of the Ebola epidemic and the punitive psychiatric hospitals of Moscow and Pretoria; to the biometric databases of refugee camps and Xinjiang, and finally to the gene-edited embryo and the new science of inherited trauma.
In every case the pattern is the same. A political choice about whom to favour and whom to suppress, who shall be born and who shall die, is dressed in the neutral language of science, so that it looks less like a decision and more like nature. The burden falls, with grim reliability, on the people least able to refuse. And when the truth comes out, the reckoning is deferred, the perpetrators go unpunished, and the account is opened and never balanced.
Told mainly through Africa and the former Eastern Bloc, and reaching to America, China and India where the story demands it, this is a history of biology and power for anyone who wants to understand why the oldest temptation of the modern state, to mistake a body for a destiny, has never been more dangerous, or more within reach.
A masterclass in how states turn biology into control"Brilliantly researched and sharply written, it uncovers how modern regimes, from Victorian eugenicists to Soviet bio-labs, forced sterilisation programs and modern biometric surveillance, have repeatedly dressed up political control in the neutral language of science. What sets this book apart is its global scope, drawing crucial connections through Africa and the former Eastern Bloc that traditional histories often overlook. It's chilling, deeply moving, and thoroughly convincing."
Ionut Catana · ★★★★★ · Amazon UK, verified purchase
Finally a history book that connects the dots"I expected a dry survey of eugenics and got something much sharper. The argument is that whenever a state wants a political choice to look like nature, it reaches for biology, and the person who pays is the one who can't refuse. The Shark Island chapter is the one I keep thinking about. Cleanly written, and the Note on Sources is a goldmine. For readers of Timothy Snyder who want something tighter."
Audrey · ★★★★★ · Amazon UK
Great and interesting read"The opening scene hooked me. The argument is simple: governments keep using biology to do political work, because a decision dressed up as science looks like nobody's fault. Each chapter tests that idea on a different case. The source notes are careful and worth reading."
Winter and Sage · ★★★★★ · Amazon US
Essential read"A must read, fascinating subject. A young author with a brilliant style, punchy lines and profound knowledge of the matter."
Kremena Tzoneva · ★★★★★ · Amazon UK, verified purchase
A fascinating and thought-provoking read"An insightful and compelling exploration of the darker side of history and the abuse of power. Beautifully researched, engaging and deeply thought-provoking. Lia Moskov is a promising new voice and definitely an author to watch."
Anna T. · ★★★★★ · Amazon UK
Historical read"The book connects so many events from history in a way that makes you think differently about science, power, and society. Very well written and full of things worth reflecting on."
Cleopatra · ★★★★★ · Amazon US
Forty thousand words across nine chapters, written in the summer between the two years of the IB Diploma. The book carries no direct quotations; every chapter's sources are set out in a closing Note on Sources, and where historians dispute a figure the text says so.
Cover designed by the author: a single silhouette on black, the face replaced by a stamped frame. Interior typeset for print and ebook, proofed and released independently on 30 September 2026, in paperback and Kindle editions.
Translated into Bulgarian by the author and taken up by the Institute for Social and Political Studies in Sofia, with its own ISBNs, a legal deposit with the National Library of Bulgaria, and distribution to Kobo, Apple Books, Google Play and library services.